All 5 Gerald Fried Star Trek scores ranked

Nov. 2, 2015 – CBS Television Studios announced today it will launch a totally new “Star Trek” television series in January 2017. The brand-new “Star Trek” will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966. The new series will blast off with a special preview broadcast on the CBS Television Network. The premiere episode and all subsequent first-run episodes will then be available exclusively in the United States on CBS All Access, the Network’s digital subscription video on demand and live streaming service.Pictured: Leonard Nimoy as Mr. Spock in STAR TREK (The Original Series)Screen grab: ©1967 CBS Broadcasting Inc. All Rights Reserved.
Nov. 2, 2015 – CBS Television Studios announced today it will launch a totally new “Star Trek” television series in January 2017. The brand-new “Star Trek” will introduce new characters seeking imaginative new worlds and new civilizations, while exploring the dramatic contemporary themes that have been a signature of the franchise since its inception in 1966. The new series will blast off with a special preview broadcast on the CBS Television Network. The premiere episode and all subsequent first-run episodes will then be available exclusively in the United States on CBS All Access, the Network’s digital subscription video on demand and live streaming service.Pictured: Leonard Nimoy as Mr. Spock in STAR TREK (The Original Series)Screen grab: ©1967 CBS Broadcasting Inc. All Rights Reserved. /
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“Friday’s Child” (Season 2, Episode 11)

“Friday’s Child” is another sub-par Star Trek episode, despite coming from the keyboard of D.C. Fontana. But Fried’s score makes up quite a bit for the slow action and padded plotline.

Jeff Bond, the foremost expert on the music of Star Trek, praised Fried’s score for “Friday’s Child” in a 2007 review of the remastered episode:

"The opening and closing credit cues, with a thrilling trumpet figure playing against the familiar Alexander Courage Enterprise fanfare, [are] some of the most rousing music in the series (all the Enterprise shots in the episode get thrilling, brassy music cues); the tribal, pounding march that plays over the first tracking shot of the Capellan village perfectly establishes the warlike character of these people, and I love the sheer balls of moments like the cut back to the Enterprise bridge … [where] Fried’s music [is] laying down a furiously heavy downbeat just to show Chekov’s sensors losing track of the Klingon ship."

Bond also notes that Gerald Fried gave the franchise its first uniquely “Klingon theme,” more than a decade before Jerry Goldsmith gave it one in Star Trek: The Motion Picture.