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Is Star Trek: SNW's Hangover episode worth remembering? (SPOILER review)

A lost shuttle, a bomb, and a planet-wide blackout turn shore leave into an unexpectedly heartfelt Ortegas and Scotty adventure.
(L-R): Melissa Navia as Erica Ortegas and Martin Quinn as Scotty in season 4, episode 3, of Star Trek: Strange New Worlds streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
(L-R): Melissa Navia as Erica Ortegas and Martin Quinn as Scotty in season 4, episode 3, of Star Trek: Strange New Worlds streaming on Paramount+, 2026. Photo Credit: Jan Thijs/Paramount+
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“Human Best Friend” is the kind of cheerfully ridiculous Star Trek: Strange New Worlds episode that only comes across if its character work is strong. Alpha Shift arrives on a pleasure planet for a badly needed break before the Rodaxion peace negotiations, only to find the atmosphere causes a powerful form of inebriation.

When the negotiations are abruptly moved up, the crew has to pull themselves together while Lt. Erica Ortegas (Melissa Navia) and Scotty (Martin Quinn) wake up with no memory of the previous night, a broken arm, a missing shuttle, and a Mugato costume that nobody can explain.

1. Storytelling embraces the chaos

"The Hangover in space” premise is not subtle, but it commits completely. Captain Christopher Pike (Anson Mount) and Una Chin-Riley (Rebecca Romijn) authorize shore leave because the crew is exhausted, and the resulting blackout gives the series room to put its characters into very different comic modes.

Uhura (Celia Rose Gooding) becomes an aggressively serene relaxation guru, Chapel (Jess Bush) treats bingo like a blood sport, M’Benga (Babs Olusanmokun) becomes a resort bartender, and Una delivers a Klingon-language rendition of “Total Eclipse of the Heart."

Those jokes could have overwhelmed the plot, but the ticking clock of the Rodaxion peace summit keeps the hour from floating away.

The real story kicks in upon the revelation that a bomb has been planted on the lost shuttle, and Scotty and Ortegas' past selves left a recording warning their sober selves not to take the shuttle back to the Enterprise because unknown saboteurs tampered with it.

That reveal gives the episode more than a goofy mystery: somebody intends to use the crew’s blackout to destroy the peace process. It also gives the comedy real stakes without changing the episode into an action thriller.

The plot’s best choice is allowing the mystery to emerge through the consequences of a night neither lead can remember. Ortegas and Scotty do not simply find the shuttle; they have to reconstruct why they took it, why they tried to keep it away from the Enterprise, and what their drunken selves understood before their memories disappeared.

That is a far better use of the premise than treating the blackout as a collection of disconnected jokes.

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